The sacred photos of Antonio Iannicelli in “San Antonio, a peasant of the entire world”

Standard religiosity has usually enclosed its religion in sacred photos. Over time, the truth is, the standard “sacred playing cards” have been an excellent non secular assist for individuals who took refuge there in notably tough instances. These tiny paper photos have at all times been positioned in purses, on the entrance to church buildings, between prayer books and even saved “within the bosom”, as if this closeness doubled their religion and safety. Between the tip of the nineteenth century and the start of the twentieth century they acquired nice significance, since they had been utilized by the decrease courses, supplying the power to learn sacred texts attributable to lack of tradition, at all times representing that assist for prayer, religion and better private union. with God… In its intrinsic which means, nicely, all through the centuries they’ve constituted that individual “means” to have the ability to defend the household, the secure with its animals, the youngsters within the cradle or the troopers in a interval of struggle and for these causes the singular “photos” couldn’t be torn out or thrown away.

The one means allowed by custom, to do away with them, was to burn them, this was finished on Christmas evening (particularly within the south) as a result of throughout combustion the “holy card” might rise to heaven reaching Paradise. Nevertheless, the “world” of sacred photos has an immensity that goes past all measure and its intimate historical past assumes appreciable significance, a lot in order that in comparatively current instances the phenomenon of collectors is born, which acquires appreciable dimensions, particularly when in comparison with the story that in its course turned the “sacred playing cards” into true artworks. On this sense, one can’t stay detached to the examine and precious assortment of sacred photos created by Antonio Iannicelli, a local of Castrovillari, already identified in Catanzaro (the place he has lived for about forty years) for being a lover of the historical past of metropolis ​​in its varied contexts. Considered one of his current publications “Sant’Antoniu, paisànu d’u mundu sanu”, affords the chance to speak about his exceptional assortment of sacred photos addressed to Saint Anthony.

Iannicelli, amongst different issues additionally president of the Calabrian Affiliation of Philately and Miscellaneous Amassing, makes a “present” of this e-book to the identical affiliation with a publication that’s presently “non-public” dedicating it, nearly coincidentally, to the anniversary of the fifty years of exercise of the Affiliation. An exercise that over time has produced exhibitions and varied attention-grabbing occasions, a lot in order that the historian himself remembers with pleasure when years in the past he was concerned in it by the then president, the lawyer Gianni Bruni, who expressed his intense ardour for the gathering of votive photos. It will likely be exactly the pages of the e-book that may transport the reader to a world that mixes “religiosity and artwork” and that’s what we intend to explain what Iannicelli wrote, about his peculiar assortment and, above all, how this propensity was born within the. “I need to say -says the historian- that the devotion to San Antonio has its origin within the household, after my delivery my mom purchased a small statue of him from a road vendor to put it in the home as safety. Then, over time, the will to gather votive photos grew increasingly more, in addition to the will for cataloging and conservation.” “Nevertheless – he provides – though I had a great variety of votive photos, even vital ones, I made a decision to restrict the gathering to my patron saint, Saint Anthony of Padua”.

And it’s exactly within the e-book that Antonio Iannicelli describes how this ardour of his expands exactly by advantage of a deeper data, having the ability to higher select, catalog and classify these small masterpieces, as he himself defines them. Linking to the Affiliation signifies that his “historical-artistic” curiosity is directed in direction of the engravings and “canivet”, made on parchment or laid paper from the ‘700. Artifacts of nice inventive worth and sweetness, so referred to as (canivet) due to the small knife with a slender blade that’s used to make them, the French “canif”. These had been works made on parchment or paper, round a central half (the place the saint was represented), consisting of a miniature that reproduced a really treasured carving that adopted the various kinds of lace. The central picture of the “saint” is then enriched with floral decorations or, often, with photos of the animal world. Iannicelli with the works introduced within the e-book, that are a part of his assortment, relationship from the seventeenth and 18th centuries, with productions by Flemish artists. Within the photos, along with the dear carvings, the polychrome notes come to mind and likewise the symbols attributable to the iconography of the Saint, such because the Divine Little one, the e-book, the lily, but in addition purely non secular ones such because the dove, the monstrance, the rays of the outpouring of the Holy Spirit and the illustration of the Infinite. On this context Antonio Iannicelli, as he himself writes, locations Saint Anthony of Padua “… not solely as a patron saint, however “participated”, as a household particular person, a villager, even “paisanu d’u mundu sanu “, the saint of all”. And it’s exactly this consideration that offers him the chance to confer with the dialect, as evidenced by the title (as he did in one other of his publications “Sant’Antoni t’àju cercatu, visitatu e ppoi pregatu”). In relation to this, the professor and glottologist Michele De Luca, delves into the which means of “paisanu d’u mundu sanu”. Therefore the phrase “paisanu”, subsequently, might be understood as “easy factor , a la bien” if it refers to an adjective, vice versa if “noun” would change its which means by including it to “countryman”, “village”, or from the identical land or area. Add the adjective “sanu” which might be understood as “world complete” (but in addition “world uncontaminated by vices”), which might be near the picture of the saint correctly am ado, exactly, “for all of the world”. Lastly, the phrase “mundu” is reported, as usually occurs within the varied Calabrian languages. In brief, it’s exactly from the dialect that this unequivocal signal of belonging is deduced.

Within the peculiar cataloging of the photographs, Iannicelli describes the origin, the writer, the workmanship and the particularities, this makes him a deep admirer, highlighting the historical past, the inventive magnificence and the work that was technically carried out. As well as, in a earlier writing by the writer, there is no such thing as a lack of historic notes from which the totally different processes that passed off over time could be deduced, from the meticulous ones carried out by the nuns within the convents, portray, carving, exercise and the following progress of the printing method with “lithography” and “chromolithography”. Within the first, which had developed significantly in France, the prints had been printed on giant sheets of regular paper, creating sequence of 16 and even 50 items. The methods had been very refined permitting to provide ever increased numbers, essentially the most stunning and costly ones had been printed with the “siderography” system (engravings on copper or metal plates) on a background of punched lace, adorned with sequins or small mother-of-pearl. pearl inserts. Subsequently, an undiscovered world filled with historical past, magnificence and spiritual religion that Antonio Iannicelli highlights excellently, recognizing unmistakable parts in Flemish prints, apparent indicators of treasured “artistic-religious” documentation. It’s no coincidence that the author and tutorial, Antonia Arslan, quotes the historian within the subject of “Messenger of San Antonio” this September, celebrating his work as an attentive collector, the truth is she is going to say of his assortment of “photos”: ” … I checked out them with delight, one after one other, dropping themselves within the small and intense visions of the unknown creators, naive or refined, standard or cultured: and I perceived that from all of them sprang, like a light-weight track, historical prayers”.

Sant'antonio countryman of the whole world

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